When in doubt, wear the black wrap dress and all your favorite jewelry. It never fails.
This necklace is made with 20 feet of 24 gauge sterling silver wire strung with old watermelon-green chevron trade beads. I started by making a hook on one end of the wire and then strung the beads. I created a loop 16″ down the wire and then wrapped, twisted and twined the remaining wire back and forth along the length of the necklace. I didn’t intend to use all 20′ of the wire but I actually feel like the necklace could use more wrapping, not less.
I wear this a lot; it’s simple, comfortable and elegant. I love the idea of creating the entire necklace-clasp too-with a single length of wire.
So here I am, popping my collar with this sweet and simple C’est La Vie necklace. The center piece is an enameled plaque made for scrap booking that I suspended from some silk dupioni ribbon. There are knots holding the plaque in place and I slipped large copper beads from Ghana over the knots. There is a clasp in the back. This necklace looked promising on my work table but I rarely wear it. The plaque can flip over pretty easily and the ribbon is a tad too long. I know, I could just re-do the whole thing.
Do you ever have that happen? You make a piece and it just doesn’t work so you think that…someday…you’ll get around to redoing it. That is hard work, isn’t it. The first flush of excitement with that new bead or pendant is gone and the next idea might be better. At least, you hope it will be better. I am realizing with this blog that I rarely redo an item if it does not work out.
I have to remember to have my husband take my picture early in the day. Today I forgot and it’s about 10:00 pm and I am tired. I taught a class and did about 1,000 other things already today.
One thing that was good was that I wore this necklace. I love this necklace. It has Imperial Jasper, carnelian discs, vintage 1800’s green amber beads, old cloisonne, coral, wood, mother-of-pearl, you name it. I made this on a trip where I packed a bag with many ‘favorite’ beads that hadn’t been used. I intended to pack a bunch of filler items as well but somehow forgot. Over that weekend I made five go-for-broke necklaces filled with some of my very favorite beads. All just strung up; I didn’t have chain or anything else to use with the beads. Each necklace was different but they all share some common beads and they actually look good together, in a very Frieda Kahlo way.
I have just decided that this blog will sometimes include layered necklaces (meaning two or more at a time) but that when I do that at least one of the items I wear will be a ‘new’ design. That way I can show you how this looks all stacked up one day.
Right now I’m headed to sleep.
This necklace is made from very old African recycled glass beads strung on 2mm leather cording. Tied between the cording I have bits of olive green silk ribbon. What you can’t see is that on the back of this very heavy necklace there are four strands of leather strung with a good number of those African beads. The beads hanging down my back are interesting to look at, but more importantly they provide a counterweight for the front of the necklace. This heavy necklace is comfortable because of these counterweights.
If you want to see more examples of counterweights used in necklaces visit your local museum and check out ethnographic jewelry exhibits. You’ll see long tassels, beaded drops and long chain counterweights hanging from beaded collars and other large-scale necklaces.